Kenji Fullmer
I have been drawing my whole life. In about 1998, I got into graffiti — projecting my imagination larger than life and working with mostly floral patterns. I now have commisioned walls all along the west coast and art throughout the country; my work has become an actual living flower. I never attended art school, my work is something that I am possesed by and just flows out. I describe it as post modern retroactive.